Drawn once, seen four ways
The plan, the model, the exploded storeys and the frame are one drawing. Move a wall
and the roof over it, the room it encloses, the joists it carries and the timber in it
all follow — because they are derived from it rather than drawn beside it.
It knows what it is made of
Every stud, plate, header, joist and rafter you can see in the framing view is a real
piece with a real length. The product totals them into a material takeoff and prices it
from your own book, with labour.
Real materials, not paint
Ledgestone on the house, red brick on the carriage house, slate on five roof levels and
standing seam over the orangery — the same texture library the product ships, on the
same surfaces it would put them.
Sites are not flat
Terrain carries contours, cut and fill, and survey import. Foundations step down with
the ground rather than hovering above it, and the storey on grade gets a real stem wall
on a real footing.